In Deep Silence II
for flute, accordion, violin, viola and double bass
year of composition
2010
duration
ca. 14'
text
The first version of IN DEEP SILENCE II - for recorder quartet - was composed in 2002, commissioned by Vier op’n Rij (Flanders Recorder Quartet).
This work was written as part of a series of intimate chamber music pieces inspired by silence and tranquillity.
The seven movements are titled: ‘half conscious’, ‘tender’, ‘with desire’, ‘devoted’, ‘expecting’, ‘with joy’ and ‘emptiness’.
Repetition of the material is avoided, time seems to stand still...
In 2010, Wim Henderickx reworked this composition for flute, accordion, violin, viola and double bass, which was premiered by Aranis at deSingel in Antwerp.
In 2012, the version IN DEEP SILENCE II for flute, clarinet, violin and cello premiered with Zvezdoliki on the occasion of Wim Henderickx's 50th birthday.
In 2013, the version for flute, clarinet, viola and cello premiered in Birmingham (UK) with HERMESensemble.
instrumentation
Flute (also Alto flute, metal chimes (Indian bells)), Accordion (also metal chimes (Indian bells)), Violin (also metal chimes (Indian bells)), Viola (also metal chimes (Indian bells)), Double bass (also metal chimes (Indian bells))
first performance date
27.03.2010
first performance place
De Singel, Antwerp, Belgium
first performance by
Aranis Ensemble
commissioned by
commissioned by De Singel, Antwerp, Belgium
for saxophone quartet compositions
for flute/piccolo/alto flute, clarinet/bass clarinet, viola and violoncello compositions
for flute/piccolo/alto flute, clarinet/bass clarinet, violin and violoncello compositions
for recorder quartet compositions