> DOWNLOADABLE SCORES!! SAMPLES IN PDF
> WIM HENDERICKX'S WORKS (update August 2022): CATALOGUE
> Seven compositions with the Orient as a source of inspiration: TANTRIC CYCLE (2004-2010)
> ACHILLEUS (2001-2002)
opera for young people, based on a libretto by Imme Dros (+/- 75’)
> DE BEKEERLINGE (The Convert) (2020-2021)
opera, based on the novel 'The Convert' by Stefan Hertmans and on a libretto by Krystian Lada
(English, Latin and Aramaic) (+/- 150')
> TRIUMPH OF SPIRIT OVER MATTER (1996-1999)
opera in 16 scenes, based on a libretto by Johan Thielemans (+/- 90’)
> ANTIFOON (2014-2017)
* Full Version for symphony orchestra, wind band, mixed choirs, soprano and bass
(+/- 50’)
* Festival Edition for symphony orchestra, wind band, mixed choirs, soprano and
bass-baritone (2017) (+/- 20’)
> ATLANTIC WALL (2012)
for mezzo-soprano, instrumental ensemble (6 musicians), video and electronics
(+/- 30')
(Text: inspired by ‘Chanson d’automne’ - Paul Verlaine)
CD Triptych www.amazon.com
> BEHOUDEN STEM: CONVERSATIONS WITH M. (1998)
for baritone or mezzo-soprano and 2 percussion players (+/- 30’)
(Text: inspired by ‘Con che soavità’ - Claudio Monteverdi)
> CONFRONTATIONS (Original Version) (2003)
for African and Western percussion (10 musicians) (+/- 75’)
> DE KONINGIN ZONDER LAND (The Queen without a country) (2014)
for 4 singers, 2 percussion players and electronics (+/- 75')
(Text: Paul Verrept)
> EEN TOTALE ENTFÜHRUNG (A TOTAL ABDUCTION) (2006)
for 4 singers, 6 actors and small orchestra (15 musicians) (+/- 150')
(Text: Ramsey Nasr)
> LAMENTO DI MEDEA (2011)
for soprano, instrumental ensemble (7 musicians) and live electronics (+/- 70')
(Text: Wim Henderickx)
> MEDEA (2011)
for soprano, 4 actors, instrumental ensemble (7 musicians) and live electronics
(+/- 120')
(Text: Peter Verhelst)
> OLEK SCHOOT EEN BEER...(OLEK SHOT A BEAR...)(2006)
* Version for narrator, instrumental ensemble and children’s choir ad lib.
(in Dutch, French, English and German)
full version:+/- 50’, short version: +/- 35’
(Text: Bart Moeyaert)
* Version for narrator, orchestra and children’s choir ad lib.
> REQUIEM (2016)
for 2 singers, 9 musicians, choir and children's choir (+/- 45')
* version 1: Fauré with orchestration by Wim Henderickx
* version 2: Fauré with additional music and orchestration by Wim Henderickx
> REVELATIONS (2016)
for music theatre (+/- 70')
> SONGS OF NATURE (2019)
Händel's 'Neun Deutsche Ariën' supplemented with new compositions by Wim Henderickx
for soprano, traverso flute, bassoon, archlute, violin, viola and violone
> TERRITORIA (2012)
based on 3 string quartets by Wim Henderickx (+/- 50')
> VOID (SUNYATA) (2007) - Part IV of the Tantric Cycle
for 5 singers, instrumental ensemble (5 musicians) and electronics (+/- 75')
(Text: Wim Henderickx)
Orchestra (↑)
> AN EVENING PRAYER (2000)
for orchestra (+/- 10')
> ANTIFOON (2014-2017)
* Full Version for symphony orchestra, wind band, mixed choirs, soprano and bass
(+/- 50’)
* Festival Edition for symphony orchestra, wind band, mixed choirs, soprano and
bass-baritone (2017) (+/- 20’)
> CIRCUS SUITE (2014)
for string orchestra (+/- 8')
> ENIGMA VII (2019)
for orchestra (+/- 2')
> IN DEEP SILENCE III (2017)
for string orchestra (+/- 10')
CD Nostalgia (2018) available at www.challengerecords.com
> LE VISIONI DI PAURA (1990)
for orchestra (+/- 12’)
CD Tejas & other orchestral works (2011) www.amazon.com
> PULSES OF THE EARTH (2017)
for orchestra (+/- 10')
(from SYMPHONY No.2 for orchestra, soprano and electronics)
> RAGA II (TOMBEAU) (1995)
for orchestra (+/- 21’)
CD Raga I-II-III (1999) www.amazon.com
> REJOICE! (Hymn for New Times) (2022)
for orchestra and electronics (+/- 17')
> SKRIET (1993)
for orchestra (+/- 7’)
CD Tejas & other orchestral works (2011)www.amazon.com
> SYMPHONY No. 1 (At the Edge of the World) (2011)
for orchestra (+/- 25')
Double CD Antwerp Symphony Orchestra (2016): www.amazon.com
> SYMPHONY No.2 (AQUARIUS' DREAM) (2016)
for orchestra, soprano, electronics (& lighting design) (+/- 45')
> TEJAS (What does the sound of the universe look like ?) (2009)
for orchestra (+/- 33') - Part VI of the Tantric Cycle
CD Tejas & other orchestral works (2011) www.amazon.com
> VARIATIONS (1988)
for orchestra (+/- 17’)
CD Tejas & other orchestral works (2011) www.amazon.com
> BALLAD: THE WITCH DOCTOR AND THE TWO GIANTS (1996)
for narrator and orchestra (+/- 8’)
(Text: Aboriginal myth)
> CELLO CONCERTO (Sangita) (2018)
for cello and orchestra (+/- 23’)
> CLARINET CONCERTO (Sutra) (2021)
for clarinet and orchestra (optional electronics) (+/- 30')
> FLUTE CONCERTO (Empty Mind I)
for flute, orchestra and electronics (+/- 27')
> FOUR PIECES (2007)
for clarinet and string orchestra (+/- 14’)
CD Nostalgia (2018) available at www.challengerecords.com
> GROOVE! (version 2012)
for percussion and orchestra (+/- 27')
Double CD Antwerp Symphony Orchestra (2016) www.amazon.com
> HARP CONCERTINO (… after a soft Silence, an enormous Thunder…) (2018)
* version for harp and orchestra (+/- 15’)
* version for harp and ensemble (+/- 15’)
* version for harp, strings and percussion (+/- 15’)
> MAKYO (1990)
for marimba and string orchestra (+/- 12’)
CD Nostalgia (2018) available at www.challengerecords.com
> 2 NOCTURNES (1999)
for flute and string orchestra (+/- 10’)
CD Nostalgia (2018) available at www.challengerecords.com
> NOSTALGIA (2017)
for flute, clarinet, marimba and string orchestra (+/- 7')
CD Nostalgia (2018) available at www.challengerecords.com
> OBOE CONCERTO (EMPTY MIND I) (2014)
for oboe, orchestra and electronics (+/- 27')
Double CD Antwerp Symphony Orchestra (2016) www.amazon.com
> OLEK SCHOOT EEN BEER...(OLEK SHOT A BEAR...)(2006)
* Version for narrator, orchestra and children’s choir ad lib.
(Text: Bart Moeyaert)
> ONLY DARKNESS AND SHADOWS (2004)
for soprano and orchestra (+/- 15’)
(Text: Triin Soomets)
> RAGA I (1996)
for percussion and orchestra (+/- 18’)
CD Raga I-II-III (1999) www.amazon.com
> RAGA III (version 2012)
for viola and orchestra (+/- 27’)
CD Raga I-II-III (1999) www.amazon.com
> RECORDER CONCERTO (Empty Mind I) (2017)
Version for recorder, orchestra and electronics (+/- 27')
> SOPRANO SAX CONCERTO (Empty Mind I) (2017)
Version for soprano sax, orchestra and electronics (+/- 27')
> ANTIFOON (2014-2017)
* Version for windband (+/- 20')
Instrumentation: variable (woodwinds, brass, clarinets and percussion)
> CIRCUS SUITE (2022)
* Version for concert band (+/- 8')
> RAGA I (2016)
for percussion and concert band (+/- 18')
> SKRIET (2010)
for wind band, brass band or fanfare (+/- 7')
> VARIATIONS (2013)
for concert band (+/- 17’)
> SIX EPIGRAPHES (2016)
for flute, viola and harp (+/- 15')
Original version by Claude Debussy
> TROIS CHANSONS DE BILITIS (2016)
for soprano, flute, viola and harp (+/- 10')
Original version by Claude Debussy
> REQUIEM (2016)
for 2 singers, 9 musicians, choir and children's choir (+/- 45')
based on Gabriel Fauré's Requiem
> AFRICAN SUITE (1992)
for violin and percussion (+/- 9’)
> AFRICAN SUITE (2007)
for soprano saxophone and percussion (+/- 9')
CD New Amsterdam (2013) www.saxstix.nl
> AFRICAN SUITE (2010)
for cello and percussion (+/- 9')
> AFRICAN SUITE (2022)
for piccolo (or flute) and percussion (+/- 9')
CD Enkin (Solar Duo) 2022: etcetera-records.com
> BARBARIAN DANCE (1985)
for percussion and piano (+/- 7’)
> CIRCUS SUITE (1992)
* Version for flute (or bassoon or alto saxophone) and piano (+/- 8’)
* Version for oboe and piano (+/- 8’)
* Version for clarinet in Bb (or bass clarinet in Bb) and piano (+/- 8’)
> DECORS (1992)
for oboe and bassoon(+/- 5’)
> FOUR BAGATELLES (1996)
for percussion and piano (+/- 6’30’’)
> GISHORA (2009)
for trumpet and 7 African drums (1 pl) (+/- 8')
> GISHORA (2012)
*Version for soprano saxophone and 7 African drums (1 pl) (+/- 8')
*Version for flute and 7 African drums (1 pl) (2015) (+/- 8')
*Version for piccolo and 7 African drums (1 pl) (2019) (+/- 8')
CD Patchwork (2022): etcetera-records.com
> IMPRESSION NR 1 (1993)
for flute and piano (+/- 5’)
> MAKYO (2015)
for marimba and piano (+/- 12’)
(from MAKYO for marimba and string orchestra)
> 2 NOCTURNES (1993)
for woodwind solo (flute or oboe, clarinet, bassoon, English horn, alto saxophone)
and piano (+/- 10’)
Cd In Flanders' Fields Vol.9 (1995) www.phaedracd.com
> ONLY DARKNESS AND SHADOWS (2010)
for soprano and piano (+/- 15’)
(Text: Triin Soomets)
> PIE JESU + LAMENT (2017)
for soprano and harp (or piano)
Part of the ballet production REQUIEM (Fauré-Henderickx)
> SACRED PLACES III (Parvati, the Remover of bad Energy) (2019)
for double bell trumpet in C, percussion and electronics (+/- 9')
> SEARCHING (1986)
for viola and marimba (+/- 10’)
> SEARCHING (2003)
for violin and marimba (+/- 10’)
> SEARCHING (2005)
* Version for bass clarinet and marimba (+/- 10’)
* Version for alto saxophone and marimba (2014) (+/- 10’)
> SEARCHING (2010)
for violoncello and marimba (+/- 10’)
> SONATINE (1986)
for percussion and piano (+/- 7')
> SUITE (1988)
for violin and piano (+/- 14’)
> TORSO (1989)
for trumpet and piano (+/- 10’)
> ADANA (2016)
for flute, viola, percussion and electronics (+/- 12')
> ALLA TURCA (2006)
for percussion trio (+/- 15')
> COLORED SILENCE (2019)
* Version for violin, cello and piano (+/- 2')
* Version for violin, sax and piano (+/- 2')
* Version for flute, cello and piano (+/- 2')
> DROOMBEELDEN (1988)
for oboe, bassoon and piano (+/- 17’)
CD Works for Wind instruments (2013) www.isolisti.be
> GROOVE! (2012)
for percussion and 2 pianos (+/-27')
> 6 IMPRESSIONS (1987)
for trombone and 2 percussion players (+/- 10’)
> 3 INTERLUDES (1989)
for horn, oboe and piano (+/- 7’)
> PIANO TRIO (IN DER SEIDENEN STILLE...) (2012)
for violin, cello and piano (+/- 15')
> RAGA I (1994)
for percussion and 2 pianos (+/- 18’)
> SACRED PLACES II (The Valley of the Gods) (2019-2021)
* for violin, alto saxophone and piano (+/- 12')
* for violin, clarinet and piano (+/- 12')
> SACRED PLACES II (The Valley of the Gods) (2019)
for flute, violoncello and piano (+/- 12')
> TRIO (1986)
for oboe, clarinet and bassoon (+/- 10’)
> CHANSONS SECRETES (2017)
for soprano, flute, viola and harp (+/- 35')
> DISAPPEARING IN LIGHT (2008) - Part V of the Tantric Cycle
* Version for mezzo-soprano, viola, alto flute and percussion (+/- 32')
(Text: Wim Henderickx)
CD Disappearing in Light www.amazon.co.uk
> DISAPPEARING IN LIGHT (2010)
* Version for trumpet, alto flute, viola and percussion (+/- 32')
> IN DEEP SILENCE II (2002)
* Version for recorder quartet (+/- 19’)
* Version for sax quartet (+/- 19')
> IN DEEP SILENCE II (2011)
* Version for flute (or picc or afl), clarinet (or bass cl), violin and cello (+/- 19’)
> IN DEEP SILENCE II (2013)
* Version for flute (or picc or afl), clarinet (or bass cl), viola and cello (+/- 19’)
> IN DEEP SILENCE III (Impression on a theme from Haydn) (2003)
string quartet no. 2 (+/- 10’)
> LAMENTO (1994)
* Version for 4 bassoons (+/-6’)
> LAMENTO (2010)
* Version for 4 bass clarinets (+/-6’)
> LAMENTO (2010)
* Version for 4 baritone (or alto) saxophones (+/-6’)
> LAMENTO (2011)
* Version for 4 cellos (+/-6’)
> OM (1992)
string quartet no. 1 (+/- 15’)
> THE SEVEN CHAKRAS (2004) – Part I of the Tantric Cycle
* Version for string quartet no. 3
for string quartet and live electronics (+/- 27’)
> THE SEVEN CHAKRAS (2009)
* Version for saxophone quartet and live electronics (+/- 27’)
> ATLANTIC WALL (2012)
for mezzo-soprano, instrumental ensemble (6 musicians), video and electronics
(+/- 30')
(text: inspired by ‘Chanson d’automne’, Paul Verlaine)
CD Triptych www.amazon.com
> BOLOMAKOTE (2004)
for percussion solo en 4 percussion players (+/- 25’)
> CIRUS SUITE (2004)
* Version for woodwind quintet (+/- 7')
CD (2010) www.houthandelantwerpen.com
> CIRCUS SUITE (2014)
* Version for 4 clarinets and bass clarinet (+/- 8')
> ÉVOCATION (2019)
for voice and musical ensemble (+/- 3')
> FOUR PIECES (1990)
* Version for clarinet and string quartet (+/- 14’)
* Version for alto saxophone and string quartet (2014) (+/- 14’)
> IO (1991)
* Version for brass quintet (+/- 12’)
> IO (2004)
* Version for woodwind quintet (+/- 12’)
CD Kicking Sawdust (2010) www.ensemblehouthandel.be
> IN DEEP SILENCE II (2010)
for flute, accordion, violin, viola and double bass (+/- 19’)
> LAGRIMAS (Tears of Hope) (2016)
for flute, clarinet, harp and string quartet (+/- 15')
> LAMENTO DI MEDEA (2011)
for soprano, instrumental ensemble (7 musicians) and live electronics (+/- 70')
(Text: Wim Henderickx)
> 2 NOCTURNES (1994)
* Version for flute, violin, viola, violoncello and double bass (+/- 10’)
* Version for alto saxophone, violin, viola, violoncello and double bass (2014) (+/- 10’)
> NOSTALGIA (2010)
* Version for 7 Middle East instruments (+/- 7')
> NOSTALGIA (2011)
* Version for 7 musicians (+/- 7')
> OLEK SUITE (2006)
for 7 musicians (+/- 25')
> ON HAIKU (The Four Seasons) (2016)
for shō and string quartet (+/- 7')
> SACRED PLACES IV (Preparing to pray) (2019-2021)
* for recorder, pan flute, viola, accordion, percussion and electronics (+/- 13')
* for flute, clarinet in Bb, viola, accordeon (or organ), percussion and electronics (+/- 13')
> SONGS OF NATURE (2019)
Händel's 'Neun Deutsche Ariën' supplemented with new compositions by Wim Henderickx,
for soprano, traverso flute, bassoon, archlute, violin, viola and violone
> THE FOUR ELEMENTS (2011)
* Version for mezzo-soprano , flute, violin, clarinet and violoncello (+/-27')
(Text: Wim Henderickx)
CD Disappearing in Light www.amazon.co.uk
> CONFRONTATIONS (Festival Version)(2003)
for African and Western percussion (10 musicians) (+/- 30’)
> DE KLANK VAN DE STAD (The Sound of the City) (2019)
for soprano, mixed choir, children’s choir, violin and ud (or guitar) (+/- 10')
> DANCE OF THE GODS (2019)
for percussion ensemble or percussion quartet (+/- 25')
> DAWN (1992)
for mezzo-soprano, female choir and instrumental ensemble (8 musicians) (+/- 20’)
(text: Kahlil Gibran)
> FANFARE (2014)
for variable ensemble (+/- 2'30'')
> FIREWORKS (2012)
for sax quartet, percussion quartet and electronics (+/- 11')
> HARP CONCERTINO (… after a soft Silence, an enormous Thunder…) (2018)
* version for harp and orchestra (+/- 15’)
* version for harp and ensemble (+/- 15’)
> INFINIZIO (2013)
for variable ensemble (variable number of performers) (between 30" and 15')
> IO (2004)
*Version for brass ensemble and percussion (12 musicians) (+/- 12’)
> MAYA’S DREAM (2005) - Part II of the Tantric Cycle
for oboe (or bassoon) and instrumental ensemble (7 musicians) (+/- 10’)
> MOZART'S ENTFÜHRUNG...? (2008)
for instrumental ensemble (15 musicians) (+/- 8')
> MUDRA (2010) - Part VII of the Tantric Cycle
for instrumental ensemble (12 musicians) (+/- 27')
> MYSTERIUM (1989)
for 10 woodwinds (+/- 15’)
CD Works for Wind Instruments (2013) www.isolisti.be
> NADA BRAHMA (2005) - Part III of the Tantric Cycle
for soprano, instrumental ensemble (11 musicians) and live electronics (+/- 25’)
(Text: Wim Henderickx)
CD Triptych www.amazon.com
> ONLY DARKNESS AND SHADOWS (2003)
for soprano and instrumental ensemble (10 musicians) (+/- 15)
(Text: Triin Soomets)
> RESONATING LIGHT (2013)
for instrumental ensemble (9 musicians) (+/- 15')
CD Works for Wind Instruments (2013) www.isolisti.be
> SUTRA (2022)
for clarinet and instrumental ensemble (12 musicians) and optional electronics (+/- 30')
original version for CLARINET AND ORCHESTRA
> ELEGIE (1989)
for piano (+/- 4’)
> MEMENTO MORI (2005)
for piano (+/- 25’)
> 6 MINIATUREN (1988)
for piano (+/- 5’)
> SPIELEREI (1987)
for piano (+/- 3’)
> TOCCATA (1988)
for piano (+/- 3’)
> UNTITLED (1989)
for piano (+/- 4’)
> IL PENDOLO (1989)
for double bass (+/- 10’)
> RAGA III (2010)
* Version for viola and electronics (15')
CD Disappearing in Light www.amazon.co.uk
* Version for viola d'amore and electronics (+/- 15')
> SANGITA (2019)
for cello and electronics
> EMPTY MIND I (2013)
* Version for oboe and electronics (original version +/- 25’, short version +/- 15’)
Double CD Antwerp Symphony Orchestra (2016) www.amazon.com
* Version for bassoon and electronics
> EMPTY MIND I (2015)
* Version for recorder and electronics (original version +/- 25’, short version +/- 15’)
* Version for soprano sax and electronics (2017) (original version +/- 25’, short version +/- 15’)
> EMPTY MIND I (2019)
for flute and electronics (+/- 15')
> HOMMAGE (1994)
for clarinet (+/- 4’)
> MAYA (1990)
for clarinet (+/- 10’)
> ON HAIKU (The Four Seasons) (2015)
for shō (+/- 7')
> ON THE ROAD (2012)
* Version for alto saxophone and electronics (+/- 9')
> ON THE ROAD (2013)
* Version for bass flute and electronics (+/- 9')
CD Triptych (2014) www.amazon.com
* Version for traverso flute and electronics (+/- 9')
> ON THE ROAD (2013)
* Version for tenor recorder and electronics (+/- 9')
> ON THE ROAD (2015)
* Version for trombone and electronics (+/- 9')
> RONDDOLEN (1987)
* Version for bassoon (+/- 8’)
Cd Works for Wind Instruments (2013) www.isolisti.be
> RONDDOLEN (2007)
* Version for bass clarinet (+/- 7’)
> AKASHA (2019)
for trombone and electronics (+/- 7 - 11')
> ON THE ROAD (2011)
* Version for trumpet and electronics (+/- 9')
CD On the Road (2011) wimvanhasselt.com
* Version for trombone and electronics (+/- 9')
* Version for flugel horn and electronics (+/- 9')
> THE CALL (1992)
for horn (+/- 10’)
> IN DEEP SILENCE I (1998)
for guitar (+/- 10’)
CD In Deep Silence (2005) www.rsmits.com
> SAETA (2004)
for guitar (+/- 24’)
CD In Deep Silence (2005) www.rsmits.com
> 1001 NIGHTS (2014)
for percussion solo (+/ 6')
> DANCE OF THE GODS (2019)
for percussion ensemble or percussion quartet (+/- 25')
> MAKYO (2019)
for marimba solo (+/- 12’)
(fromMAKYO for marimba and string orchestra)
> RAGA I (1996)
for percussion (+/- 18’)
> SACRED PLACES I (Angel) (2017)
for percussion and electronics (+/- 15')
> AGNUS DEI ((2019)
for mixed choir (and electronics)
for equal voices or soloists (5 voices) (with optional electronics)
for youth choir, female choir or soloists (1 or 3 voices) (with optional electronics)
> BLOSSOMINGS (3 Prayers for a better World) (2016)
* Version for mixed choir, trumpet and electronics (+/- 17')
* Version for mixed choir, clarinet and electronics (2018) (+/- 17')
> DE KLANK VAN DE STAD (The Sound of the City) (2019)
for soprano, mixed choir, children’s choir, violin and ud (or guitar) (+/- 10')
(Text by Maud Vanhauwaert)
> COLORS (2014) (+/- 15')
* verson for mixed choir, equal voices (female choir) and electronics
* verson for mixed choir & electronics
* verson for equal voices & electronics
> CRUCIFIXUS (2003)
for mixed choir (8 voices) (+/- 5')
(Text: Claudio Monteverdi)
> DE PROFUNDIS (1992)
for mixed choir (organ and brass ad. Lib.) (+/- 4’)
(Text: Psalm 130)
> ESTASI (2016)
for double choir, soprano, bass and electronics ad lib. (+/- 30')
> LIBERA ME (1992)
for mixed choir (organ and brass ad. Lib.) (+/- 4’)
(Text: Latin psalm)
> MARIA (2019)
for mixed choir (+/- 3')
> MISSA BREVIS (2017)
* Version for mixed choir and optional electronics (+/- 10')
* Version for female choir and optional electronics (+/- 10')
* Version for male choir and optional electronics (+/- 10')
Part of the multimedia production REVELATIONS
> THE NEW RING (2013)
for mixed choir and optional electronics (+/- 15')
> TOMORROW SHALL BE MY DANCING DAY (1991)
for mixed choir and chamber orchestra (or organ) (+/- 4')
(Text: English Christmas carol)
> VISIONI ed ESTASI (2015)
for mixed choirs and electronics (+/- 45')
(Text: Wim Henderickx)
> ORPHEUS: MAGIC SINGER IN THE UNDERWORLD (2002)
for children’s choir and piano (+/- 5’)
(Text: Wim Henderickx)
> DE KLANK VAN DE STAD (The Sound of the City) (2019)
for soprano, mixed choir, children’s choir, violin and ud (or guitar) (+/- 10')
(Text by Maud Vanhauwaert)
> ELUSIVE TIME (2012)
* Version for mezzo-soprano and electronics (+/- 7')
(Text: Wim Henderickx)
> ELUSIVE TIME (2013)
* Version for soprano and electronics (+/- 7')
(Text: Wim Henderickx)
> 2 MANTRAS (2012)
* Version for mezzo-soprano (+/-10')
(Text: Wim Henderickx)
> 2 MANTRAS (2013)
* Version for soprano (+/-10')
(Text: Wim Henderickx)
> AVE MARIA (2011)
* Version for baritone (or mezzo soprano) and organ (+/- 6')
(Text: Holy Mary prayer)
> AVE MARIA (2011)
* Version for soprano (or tenor) and organ (+/- 6')
(Text: Holy Mary prayer)
> CANZONE (2007)
for voice (versions for: soprano, mezzo-soprano, alto, tenor, baritone, bass)
and piano (+/- 5')
(Text: Francesco Petrarca)
CD Voice 2008 www.cmireb.be
> LIED VAN DE MEISJES/SONG OF THE GIRLS (2006)
for voice and piano (+/- 5')
(Text: Bart Moeyaert)
> LIED VOOR OLEK/SONG FOR OLEK (2009)
for voice and piano (+/- 3’)
(Text: Bart Moeyaert)
> ONLY DARKNESS AND SHADOWS (2010)
* for soprano and piano (+/- 15’)
* for mezzo-soprano and piano (+/- 15’)
(Estonian text: Triin Soomets)
> PIE JESU + LAMENT (2017)
for soprano and harp (or piano)
Part of the ballet production REQUIEM (Fauré-Henderickx)
> ZOON VAN EROS (SON OF EROS)(1987)
for soprano and piano (+/- 8’)
(Text: Hans Andreus)
> LIED VAN DE MEISJES/SONG OF THE GIRLS (2006)
for voice and accordion (+/- 5')
(Text: Bart Moeyaert)
> AIR (2008)
for soprano, flute and electronics (optional) (+/-6’)
(Text: Wim Henderickx)
> ATLANTIC WALL (2012)
for mezzo-soprano, instrumental ensemble (6 musicians), video and electronics
(+/- 30')
> CHANSONS SECRETES (2017)
for soprano, flute, viola and harp (+/- 35')
> DAWN (1992)
for mezzo-soprano, female choir and instrumental ensemble (8 musicians) (+/- 20’)
(Text: Kahlil Gibran)
> DISAPPEARING IN LIGHT (2008) - Part V of the Tantric Cycle
for mezzo-soprano, viola, alto flute and percussion (+/- 32')
(Text: Wim Henderickx)
CD Disappearing in Light hermesensemble.be
> EARTH (2008)
for mezzo-soprano, violin and electronics (optional) (+/-6’)
(Text: Wim Henderickx)
> ÉVOCATION (2019)
for voice and musical ensemble (+/- 3')
> FIRE (2008)
for baritone, cello and electronics (optional) (+/-6’)
(Text: Wim Henderickx)
> LAMENTO DI MEDEA (2011)
for soprano, instrumental ensemble (7 musicians), live electronics (+/- 70')
(Text: Wim Henderickx)
> LIED VAN DE MEISJES/SONG OF THE GIRLS (2006)
for voice and ensemble (7 musicians) (+/- 5')
(Text: Bart Moeyaert)
> LIED VOOR OLEK/SONG FOR OLEK (2009)
for voice and instrumental ensemble (7 musicians) (+/- 3’)
(Text: Bart Moeyaert)
> NADA BRAHMA (2005) - Part III of the Tantric Cycle
for soprano, instrumental ensemble (11 musicians) and live electronics (+/- 25’)
(Text: Wim Henderickx)
CD Triptych hermesensemble.be
> ONLY DARKNESS AND SHADOWS (2003)
for soprano and instrumental ensemble (10 musicians) (+/- 15)
(Text: Triin Soomets)
> THE FOUR ELEMENTS (2011)
for mezzo-soprano , flute, violin, clarinet, violoncello and electronics (optional)
(+/-27')
(Text: Wim Henderickx)
CD Disappearing in Light hermesensemble.be
> WATER (2008)
for baritone, clarinet and electronics (optional) (+/-6’)
(Text: Wim Henderickx)
> ANTIFOON (2014-2017)
* Version for choir and orchestra (+/- 35')
> ONLY DARKNESS AND SHADOWS (2004)
for soprano and orchestra (+/- 15’)
(Text: Triin Soomets)
> TOMORROW SHALL BE MY DANCING DAY (1991)
for mixed choir and chamber orchestra (+/- 4')
(Text: English Christmas carol)
CD Europese kerstliederen uit oost en west (1991) www.muziekcentrum.be
> ACHILLEUS (2001-2002)
opera for young people, based on a libretto by Imme Dros (+/- 75’)
7 singers (soprano, mezzo-soprano, tenor, baritone, bass baritone, bass, countertenor)
children’s choir
> BALLAD: THE WITCH DOCTOR AND THE TWO GIANTS (1996)
for narrator and orchestra (+/- 8’)
(Text: Aboriginal myth)
> CIRCUS SUITE (1992 - 2014)
* Version for flute (or bassoon or alto saxophone) and piano (1992) (+/- 8’)
* Version for clarinet in Bb (or bass clarinet in Bb) and piano (2014) (+/- 8’)
* Version for oboe and piano (2014) (+/- 8’)
* Version for 4 clarinets ands bass clarinet (2014) (+/- 8')
* Version for string orchestra (2014) (+/- 8')
> CIRUS SUITE (2004)
* Version for woodwind quintet (+/- 7')
CD Kicking Sawdust (2010) www.ensemblehouthandel.be
> DE KONINGIN ZONDER LAND (The Queen without a country) (2014)
for 4 singers, 2 percussion players and electronics (+/- 75')
(Text: Paul Verrept)
> LIED VAN DE MEISJES/SONG OF THE GIRLS (2006)
* Version for voice and accordion (+/- 5')
(Text: Bart Moeyaert)
> LIED VAN DE MEISJES/SONG OF THE GIRLS (2006)
* Version for voice and piano (+/- 5')
(Text: Bart Moeyaert)
> LIED VAN DE MEISJES/SONG OF THE GIRLS (2006)
* Version for voice and instrumental ensemble (7 musicians) (+/- 5')
(Text: Bart Moeyaert)
> LIED VOOR OLEK/SONG FOR OLEK (2009)
for voice and instrumental ensemble (7 musicians) (+/- 3’)
(text: Bart Moeyaert)
> LIED VOOR OLEK/SONG FOR OLEK (2009)
for voice and piano (+/- 3’)
(text: Bart Moeyaert)
> OLEK SCHOOT EEN BEER...(OLEK SHOT A BEAR...)(2006)
* Version for narrator, instrumental ensemble and children’s choir ad lib.
(in Dutch, French, English and German)
full version:+/- 50’, short version: +/- 35’
(Text: Bart Moeyaert)
* Version for narrator, orchestra and children’s choir ad lib.
> OLEK - SUITE (2006)
for instrumental ensemble (7 musicians) (+/- 25')
> ORPHEUS: MAGIC SINGER IN THE UNDERWORLD (2002)
for children’s choir and piano (+/- 5’)
(Text: Wim Henderickx)
> ONGRIJPBARE TIJD (Elusive Time) (2012)
Open air installation at the Market Square in Lier (B)
in collaboration with Jorrit Tamminga (electronics)
> SHRI YANTRA (2009)
for 8 channel soundtracks (15'41)
in collaboration with Jorrit Tamminga (electronics)
